Sennheiser E845S Super-Cardioid Switched Dynamic Mic

Sennheiser E845S Super-Cardioid Switched Dynamic Mic
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Sennheiser


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The Sennheiser e845s super-cardioid switched vocal microphone has been developed with an extended high-frequency response, featuring a rugged, durable construction, and reduced sensitivity to handling noise.


Features

  • Rugged metal body
  • Excellent feedback rejection
  • Extended high-frequency response
  • Shock-mounted capsule provides excellent suppression of handling noise
  • Frequency-independent directivity
  • Super-cardioid pick-up pattern provides improved isolation from other on-stage signals
  • Hum compensating coil
  • Includes microphone, clip and pouch
  • Features silent on/off switch mechanism

Model:  1949
Manufacturer:  Sennheiser
Mic Type:  Dynamic
Polar Pattern:  Supercardioid
Frequency Response (Hz):  40-16,000
Sensitivity (mV/Pa):  -54
Impedence (Ohm):  350
Power Requirements:  N/A
Connection:  XLR 3-Pin
Application:  Live Vocals
Weight:  330g
Included Accessories:  Stand-Mount, Pouch

Sennheiser E845S Super-Cardioid Switched Dynamic Mic1
Average Rating:  454 Stars4 Stars4 Stars4 Stars
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Sennheiser E845S Super-Cardioid Switched Dynamic Mic
Rating:  44 Stars4 Stars4 Stars4 Stars
The Sennheiser E845S... Like that other sturdy and versatile dynamic microphone, but different!
  -  Dan

Part of Sennheiser’s Evolution series, the E845S is a dynamic microphone with a super-cardoid pickup pattern. The microphone has a metal body that tapers out to a slender grille. It weighs a little more than an SM58, and though I shan’t be dropping it out of any helicopters to test it, it feels every bit as sturdy as that benchmark of ruggedness. Removing the grille reveals a capsule that is quite firmly built into the body and attached by three visible wires, these in turn are protected by plastic mountings that are moulded into the capsule, so there seems to be little chance of failure here, although it looks like a DIY repair would be tricky should failure occur. When screwing the grille back onto the body, it tightens against a narrow rubber seal that circumscribes the base of the capsule. The switch is made of plastic and has a locking mechanism that can be turned with a small screwdriver to prevent singers from accidentally turning themselves off. This mechanism is made from plastic and on my microphone it has worn down somewhat from the few times that I have locked and unlocked the switch. I can see the screw becoming completely stripped quite easily, which is a shame as it is a thoughtful and useful feature. To prevent the screw from getting worn down, I’ve gone back to the old fashioned method of covering the switch with tape.
I use my own E845S to complement the in-house SM58s and 57s at the community venue at which I am a sound tech. Due to space limitations, our monitor wedges are usually placed off-axis, so the Sennheiser’s super-cardoid pattern helps with feedback prevention in this context. The microphone’s sound is clear and bright; great on female vocals especially, and I’ll tend to pick this microphone over a 58 for bands that need their vocals to cut through a thick wall of distorted electric instruments. In addition, the bright sound can make it a great microphone to point at an acoustic instrument, and its slim profile means that I can easily slip it into a tight space, which can be handy in an instrument mic.
In conclusion, the Sennheiser E845S is a rugged and versatile stage mic that’s deserving of a place in any live engineer’s microphone drawer.

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