DPA 4099G Guitar Clip Mic

DPA 4099G Guitar Clip Mic
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DPA

DPA microphones are some of the most natural-sounding mics available. Favoured by classical recording engineers.


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The DPA 4099G is the unmistakable industry leader for acoustic guitar miking requirements. Suitable for both live and recording purposes.


Perfect for PA amplification and live recording of acoustic guitar, mandolin, ukulele and dobro, the 4099G offers practically unlimited placement possibilities as well as a sound that is considerably more natural than an internal microphone or pick-up.

The 4099G is a unique clip microphone inheriting the sonic approach from the legendary DPA studio microphones to a new instrument microphone. The 4099 microphone and mounting system is meticulously designed and optimised for the guitar family. This is to ensure the best possible mount and audio reinforcement is achieved when performing live. The 4099G fits instruments with a body depth between 35 mm (1.4 in) and 122 mm (4.8 in).

Representing years of research and development, the 4099 condenser microphones feature supercardioid polar patterns for superior gain-before-feedback. Fully capable of handling the guitar’s dynamic range and subtle details, these microphones live up to their pedigree with sound as accurate as DPA’s other world-class microphones.

Despite its tiny, discreet size and elegant, lightweight design, 4099G is extremely rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument with only one hand, while the mounting system is designed never to mar or scratch the finish of your instrument.

Reduce cable clutter on stage by using the DAO4099 Double Cable. The cable carries both the 4099 mic extension cable and a pick-up jack connection in one dual cable run in a nylon sock. The jack uses high quality Mogami cable and gold Neutrik connectors. At the instrument end there is a right-angled connector. The microphone extension is the DPA miniature cable.

Through the use of our extensive adapter system, the 4099 is compatible with virtually any wireless system and can also be used as a standard 48V phantom powered microphone via the included XLR connector.

Fleet owners of 4099s will appreciate the multiplicity of using the microphone for a number of different instruments simply by moving the microphone/gooseneck part to another instrument clip from the range.

With its very flexible design for a wide variety of mounting and positioning possibilities along with its extremely natural sound, the 4099 is truly a musician’s mic without equal. Continuing DPA’s heritage of sonic excellence, this series of microphones achieves the purest reproduction of your instrument and therefore your full range of expression.

Model:  913
Manufacturer:  DPA
Mic Type:  Condenser
Polar Pattern:  Supercardioid
Frequency Response (Hz):  20-20,000
Sensitivity (mV/Pa):  -44.5
S/N Ratio dB(A):  71
Impedence (Ohm):  30-40 (From MicroDot) 100 (From DAD4099)
Maximum SPL (dB):  142
Power Requirements:  5-50v via Phantom Power or Beltpack
Connection:  Microdot
Weight:  36g
Included Accessories:  XLR Adapter (DAD4099)
Cable Length (m):  1.8m
Cable Type:  Fixed

DPA 4099G Guitar Clip Mic1
Average Rating:  454 Stars4 Stars4 Stars4 Stars
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DPA 4099G Guitar Clip Mic
Rating:  44 Stars4 Stars4 Stars4 Stars
Great sound- some hassle to operate
  -  Simon

If you are after superior guitar tone then this clip mic is a great choice- it’s basically a directional studio condensor with good gain before feedback levels.
I am a professional guitarist and have been using it over the last month on stages. It has a great sound and really does make a big difference to the overall sound of my guitar. I blend it with the piezo undersaddle and it makes the treble strings sound like strings and not some synthesied excuse.

However there are issues which annoy. The method of securing the mic to the guitar is not very secure and can be knocked off fairly easily- they should have made the grab bits longer in mu opinion. The lead from mic to plug is thin and easily tangled, also pretty long- if you’re wearing the clip socket on your pocket there is much too much lead and I have to wind it up and tape it. There is no on/off switch on the mic so if you want to mute to tune or to remove and change guitars- wll you need a sound man on the ball or some external box with mute switch. The padded case provided does not feel sturdy enough to protect the tiny delicate mic (or it’s shock mount) so one is forced to carry it about in the sturdy hard plastic case it comes in which is more bulky and won’t fit into guitar case. And then of course there is the price- it’s a pricy option for guitar sound.

If you want a truely acoustic sounding guitar on stage then this is your option, however it is a tricky thing to operate and the mic capsule has to come over the fretboard quite close so if you are a tapper it’s probably a no-go- same for those who go right up the dusty end on those lead licks (although this issue might be resolved by repositioning the mic- however this strays from the recommended advice).

I’m pleased with it because the sound I get now is truely awesome- but it is a hassle to use.

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